Posts Tagged ‘Matty-Ho’

The Sorcerer’s Apprentice set

There’s never a shortage of filming going on around the neighborhood, so much so that most of the time I take them for granted, just checking the permits that go up to see how it effects my alternate side of the street parking game – a treacherous one in this area at that! I may recognize the production taking place, but usually keep it moving; although I have to admit there have been recent highlights, such as seeing Ice-T and Coco with their “his and her” Bentley’s when Law & Order SVU was being filmed here.  The other, was the recent production for Disney’s “The Sorcerer’s Apprentice“.

Permit

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C-N-M

Capone and me "shooting myself in the foot"

Capone and me "shooting myself in the foot"

I’ve been seeing some recent posts on Capone-N-Noreaga promoting the upcoming release of their third album, “Channel 10″, which leads me to this photo that I dug up from my archives.  Back in March of 1999, while I was working for TRACE Magazine I got offered the opportunity to interview Capone  for a Queensbridge-themed music issue.  Mind you, I wasn’t originally hired as a writer, I handled ad sales and marketing, but with such a small staff I got the fringe benefit of being able to ‘wear different hats’ while I was there.

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A Time Before Digital

432F

Colin Sutton, Raymond Roker, me and Ruslan Karablin @ 432F - 1992

Raymond Roker posted this picture on Facebook recently in an album titled, “A Time Before Digital Cameras”, which evoked fond memories taking me back seventeen years.  Wow, seventeen years, I doubt anyone in the picture knew at the time, but looking back now, the first 432F trade show could be considered a seminal chapter in streetwear and its culture. (more…)


So It Begins…

landing-gear

Thinking back, it was last New Year’s Eve when I bumped into Jon Shapiro, random considering I hadn’t seen him in a couple of years and here he is in the madness that ensues on the streets of Manhattan just after midnight.  Shipes said he’d been on his grind making moves such as bringing Sean Kingston to Epic Records and in the process leveraging an imprint deal for his label, Cinematic Music Group.  He also mentioned that he was signing Devin The Dude to an indie label, Razor and Tie, which baffled me since (I thought to myself, “Wait, didn’t you just say you signed to Epic? and) I knew Devin had been on Rap-A-Lot for his entire career. We laughed about some buffoonery that took place the last time we saw each other, exchanged numbers and that was how 2008 began…

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